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The material aspect of this work consists of a large number of small forms made in fired white clay.
The conduct of the work begins by creating an initial condition by placing clusters of these forms in relation to the marks, features and debris found on the site on the installation day. The effect and outcome of the work is produced as the
distribution of the forms is altered when the public walk the site over the duration of the installation.

 

       'THE NEGLIGIBLE THINGS UNDER YOUR FEET'.

       Variable number of unglazed fired clay forms

        and public participation.
 

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